For instance, without formal training, Indian mathematician Srinivasa Ramanujan, whose life was depicted in the movie, The Man Who Knew Infinity, received while praying flashes of the most complex and amazing mathematical formulas that he wrote on the temple floor.”įor Reich, discovering Aharonov proved synchronistic when she met him in the late 1980s.
THE MAN WHO KNEW INFINITY MOVIE CT HOW TO
“When Yakir and I discuss the creative process, what comes up repeatedly is how to develop deep and true levels of intuition in order to make new discoveries. “Intuition is at the core of many discoveries by great physicists,” says Reich, who is married to physicist Jeff Tollaksen, Director of the Institute for Quantum Studies at Chapman University. He bought her sculpture “Transcendence,” and honored her by requesting it be placed in the alcove dedicated to him at Chapman’s Leatherby Libraries, along with other priceless items, including his National Medal of Science in Quantum Physics and his Letters of Einstein and Bohm. It is the nature of intuition and its role in the process of creation that Reich discusses with her longtime mentor, well-known Quantum Physicist Yakir Aharonov, who is a fan of her work. “I’ve developed a natural style that is an expression of self and as authentic as my signature.” I begin a piece without knowing where I’m going in order to discover my own inimitable truths,” says Reich, who paints and sculpts and has taught figure drawing, a complete art form in itself, at The Art Students League of New York and the Pennsylvania Academy of Fine Arts. “The creative process, which is collaborative for me, is deeply intuitive. Her extraordinary pieces, with names such as “Limitless,” “Transformation,” “Contemplation” and “Exultation,” invite the observer to experience her art at a primal, gut level. She works from live models, creating three-dimensional, 360-degree sculptures of the human form. “The human figure is my passion and inspiration,” says the artist, whose art is widely collected by prominent inpiduals, as well as on display at Chapman University.
Reich’s art, which doesn’t require and even rejects explanation, represents a melding of human consciousness and unconsciousness that she identifies as a source of living reality. Matt Brown’s workmanlike direction ties things up neatly but fails to elicit enough empathy for the central characters of the young number-cruncher and his tutor-cum-collaborator.Īnchored by Jeremy Irons’s riveting performance (note especially the two stirring speeches to fellow faculty members just before and after his protégé’s death), The Man Who Knew Infinity is an overly earnest portrait of a groundbreaking mathematical genius.View the work of artist/sculptor Jayne Reich, and while you’ll enjoy the form and figure of each piece, it’s the understanding on a soul level forged between the artist and her model that holds the message. The film’s epigraph, “Mathematics rightly viewed possesses not only truth, but supreme beauty”, derives from Ramanujan’s contemporary in the groves of academe, Bertrand Russell (Jeremy Northam, suitably stiff-upper-lip). The whiny wall-to-wall background music score is a major deterrent. Ramanujan has to also contend with racial discrimination from members of the university’s governing body as well as misguided youngsters enlisted in the army. Scenes showing British soldiers writhing in tents are perfunctory.
Read: Dev Patel on the man who knew infinityĬoncurrently, the Great War erupts in Europe. There are several awkward transitions to Ramanujan’s native dwelling place where his mother (Arundathi Nag) and young bride (Devika Bhise) appear to have agreed upon a tenuous truce. Matt Brown’s workmanlike direction ties things up neatly but fails to elicit enough empathy for the central characters of the young number-cruncher and his tutor-cum-collaborator.
Tragically, Ramanujan died of tuberculosis at the age of 32, barely a year after his return to India. Read: Why this film is important for mathematics Without any formal training but with an intuitive aptitude for equations and theorems, the Indian math prodigy (Patel, fairly affecting) was encouraged by the English academic (Irons) to come up with proofs to back up his formulae. It is the Oscar-winning actor’s (Reversal of Fortune, 1990) dynamic characterisation of the celebrated Cambridge scholar GH Hardy that sets The Man Who Knew Infinity apart from other recent by-the-numbers biopics.Ī prestige production in the James Ivory-Ismail Merchant mould, the film chronicles the true story of Srinivasa Ramanujan, the Madras-born mathematician whose unparalleled flair for numbers was honed during his time at the hallowed Trinity College back in the 1910s.
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